It’s con season, as noted over on the Generations Geek blog. I will be at CONvergence over the Fourth of July weekend and at Shore Leave the weekend of July 15. Cons are a weird experience for me. Although I’ve been a sci-fi geek essentially my entire life, cons were not a big deal for me for decades. I think part of that is because I grew up in northern Minnesota, far from any conventions. Combine that with my neuroses around crowds and strangers and places I haven’t been before—imagine that, a neurotic writer!—and you can see why I wasn’t rushing out to cons even after I moved to the Twin Cities, where there are many wonderful cons. But then I started being a writer guest at Shore Leave, thanks to Star Trek fiction. For years, Shore Leave was the only con I regularly attended, halfway across the country, even though there were lots of cons in my own backyard. Finally, a few years ago, I started going to CONvergence as a writer guest, and I’ve grown quite fond of it. But cons are still roller coasters for me, full of ego boosts, awkward social interactions, reunions with old friends, and crowd-induced claustrophobia. So if you ever meet me at a con and I look a bit skittish, like a dog during a thunderstorm, give me a moment, my mood will soon swing back the other way!
Still not really talking about what I’m not talking about: Star Trek fan films. Trek fandom has been biting its own tail for months about this, and with the fan film guidelines CBS and Paramount have recently released, it’s gotten worse. I’m not going to rehash the whole story here. If you’re a fan you already know it; if you’re not, well, neither of us has the time or energy to go over the history. But I’m in the middle on this. I’ve watched and enjoyed fan films. I’ve considered writing for them, but never did. But, as a writer, I’m also big on intellectual property. And I’ve written official Star Trek fiction, published by Simon & Schuster—which, according to the guidelines, disqualifies me from working on a fan film. I don’t take that personally, but I was never really invested in the idea in the first place. Which brings me back to why I haven’t been talking about this. I know people on both sides of the issue, people who totally support the studio’s point of view and people who are deeply invested in fan films either as viewers or creators. Online debates have been intense, and there have been people on both sides who have—I like to give the benefit of the doubt and assume in the heat of the moment—veered off into regrettable personal attacks. The whole situation saddens me. It’s the fiftieth anniversary year of the franchise we all love, and instead of wholehearted celebration, there is instead an atmosphere of taking sides. No matter how many justifiable fingers can be pointed in either direction, the end result is disheartening.
It’s a good thing I’ve got that degree in how to be a freelancer in the new world of publishing. Oh, wait, that never happened. I really don’t think anyone in the industry really knows what they’re doing. Not in a bad way, like, “That guy is driving the wrong way on a one-way street,” but more like, “Uh . . . is this the detour? Is this even a road? Why have all the street signs been painted over?” So you’ve got a lot of people—writers and editors from beginners to pros alike—just trying to keep moving forward, but the rules keep changing, and the game board, instead of being a proper map, is just a white board anyone can erase and redraw with the full conviction that people on the internet seem to have about anything. All I want to do is write my little stories, get them out there for people to read, and somehow make a fair amount of money to pay the bills. That was hard enough in olden days when publishing was a relatively straightforward business that followed the same traditions it always had. Nowadays, on the frontier of e-books and print on demand, when big publishers are buying up self-publishing businesses like farm teams, it’s hard to know what to think. So I just keep on writing my little stories, and I try to get some printed traditionally and self-publish others, and I’ll see where it takes me. Check out my author page on Amazon, where you can see them all. (In theory. It’s kind of buggy. Because it’s not like a little site like Amazon has the resources to . . . oh, wait.)